Scrutinising The Production Of Space On The Example Of Regent Street and Painting A Modern Life By The Agencies Of Regency
Keywords:Regent Street; Production of Space; Actor-Network Theory, Urban mapping., Regent Street, Production of Space, Actor-Network Theory, Urban mapping
The main aim of this is to analyse the production of space and how human and non-human entities function as space producers or devices. The scope of this study is the Regent Street from 1818 to 1848. This paper aims to answer the following question: could space be a product that we can produce or what other things involved in this production process? Numerous theorists contribute to the spatial analyses of this historical research. This paper puts special emphasis on the Lefebvrian spatial triad as a methodological decoder along with the Actor-Network Theory (ANT) to analyse the 19th century-Regent Street. The combination of the triad, as well as the ANT, will be deployed as an original tool to analyse spaces with their data; then they will be used to create a spatial map. To do so, visual and written sources will also be used as data to decode and re-map or re-paint the modern life of Regent Street during the Regency Period.
Arendt, H. (1969). The human condition. (Walgreen Foundation Lecture Series). University of Chicago.
Armytage, W. (1968). The French influence on English education. (Students library of education).
Ayers, A. (2004). The architecture of Paris / Andrew Ayers. Stuttgart; London: Edition Axel Menges.
Best, J. R. (1829). Cuma, the Warrior-Bard of Erin, and other poems. (Æneas in the Infernal Regions: From the Italian of Canon Andrea de Jorio.) With maps. London: British Library, Historical Print Editions.
Clark, P. (2013). The Oxford handbook of cities in world history / edited by Peter Clark. (Oxford handbooks in history). Oxford: Oxford University Press.
Certeau, M. (1984). The practice of everyday life. University of California Press.
Hobhouse, H. (2008). A history of Regent Street. London: Macdonald and Jane's in association with Queen Anne Press.
Kemp, M., (2000). The Oxford History of Western Art, UK: Oxford University Press.
Latour, B. (1993). We have never been modern / Bruno Latour; translated by Catherine Porter.New York; London: Harvester Wheatsheaf.
Latour, B. (1999). On Recalling Ant. The Sociological Review, 47(1), 15–25. https://doi.org/10.1111/j.1467-954X.1999.tb03480.x
Lefebvre, H. (1991). The production of space / Henri Lefebvre; translated by Donald Nicholson-Smith. Oxford: Basil Blackwell.
Moores, R. (2015). Representations of France in English Satirical Prints 1740–1832. DOI: 10.1057/9781137380142
Newton, W. (1839). Newton, W. The London journal of arts and sciences, and repertory of patent inventions. London: Sherwood, Gilbert, and Piper.
Palmer, A. (2019). Historical Dictionary of Romantic Art and Architecture / Allison Lee Palmer.
Parliamentary Papers. (1846). Appendix to the Reports of the Select Committee of House of Commons on Public Petititons, Great Britain.
Priestley, J., & George IV, King of Great Britain. (1969). The prince of pleasure [i.e. George IV] and his regency, 1811-20. London: Heinemann.
Punch Magazine, 1848, vol: 12-15. London: Punch Office. Retrieved From: https://sites.google.com/site/punchvolumes/
Rydin, Y., & Tate, Laura Ellen, editor. (2016). Actor networks of planning: Exploring the influence of actor network theory / edited by Yvonne Rydin and Laura Tate.
Richardson, A. (2001). Monumental classic architecture in Great Britain and Ireland / Albert E. Richardson; introductory notes by H. Stafford Bryant, Jr. (New ed.). Mineola, NY: Dover.
Sennett, R. (1994). Flesh and stone: The body and the city in western civilization / Richard Sennett.New York; London: W. W. Norton.
Soja, E. (1996). Thirdspace: Journeys to Los Angeles and other real-and-imagined places / Edward W. Soja. Cambridge, Mass.; Oxford: Blackwell.
Summerson, J. (1953). Architecture in Britain, 1530 to 1830. ([Pelican History of Art.]).
Tallis, J., Jackson, Peter, & London Topographical Society. (2002). John Tallis's London street views, 1838-1840: Together with the revised and enlarged views of 1847 / introduced and with a biographical essay by Peter Jackson. (2nd rev. ed., Publication (London Topographical Society); no. 160). Richmond]: London Topographical Society.
The Universal Magazine of Knowledge and Pleasure. (1747). Vol: XX, London: according to Act of Parliament, for John Hinton, 1747. Retrieved From: https://catalog.hathitrust.org/Record/006791518
Willis, N. (1854). Famous Persons and Places. New York: Alden and Beardsley.
How to Cite
Copyright (c) 2019 Journal of Contemporary Urban Affairs
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.